- #No common sync points found thebrain software how to#
- #No common sync points found thebrain software free#
You don’t want to create too many milestones or you risk confusing all of the departments that rely on your organizational system. And if you’re wondering why I allow for multiple locked cuts, I’d like to know what director you’re working for and if he or she is hiring. I usually create milestones for the Editor’s Cut (EC), the Director’s Cuts (DC1, DC2, etc.), Previews (PV1, PV2, etc.), and Locks (LOCK1, LOCk2, etc.). Ok, so assuming that you decide to use this system, it’s important to know when to create a new milestone. You also want to avoid cutting a reel in the middle of a scene, even if there are no picture or audio transitions, since you may find that the color of your reels varies slightly and a reel break in the middle of a scene could produce a color shift. The best reel breaks are between scenes that have no picture or audio transition, so that the break is as seamless as possible. Similarly, don’t cut a reel in the middle of a piece of music. With the exception of the beginning of R1 and the end of your credits, no reel should start or end on black. All remaining reels should be no more than 2000 feet, though there is a little bit of slack on all of these numbers. The general guidelines for creating reels are that your first reel be no longer than 1600 feet from Picture Start to Last Frame of Action (LFOA). Once you’ve got all, or at least most, of your scenes cut, you’ll probably want to create reels out of everything.
#No common sync points found thebrain software free#
This is global across all organizational systems, so feel free to skip this section if you already know about delineating reels. The bins on the right show DC7 Defining Reels In the project window you can see DC1-DC6 folders. Screenshot of Hellboy 2 project organization. The system I use has two levels of versioning included in the name of the reel one is to track a milestone like a director’s cut or a preview screening, and the other is to track the individual versions of a reel created leading up to that milestone. The problem with this is that you get up to these massive version numbers (R1AB_v72, R2AB_v117, etc.), and there’s no common element to link all these versions together in a meaningful way. One of the most frequent organizational structures I see used by others uses a simple version number attached to the name of the reel. Thanks to editor Sean Albertson and 1st assistant editor Seth Clark for introducing it to me on Rocky Balboa. I’ve seen quite a few organizational systems used in different editing rooms, both on films I’ve worked on and ones I’ve just visited, and so far this is the best one I’ve seen. With all that in mind, I wanted to set forth a description of the system that I use to keep all my reels in order on a feature. Individual editors also have their preferences for organization based off of how they are accustomed to working, and if you’re an assistant editor your degree of influence over the project’s organization will vary depending on how much the editor wants to delegate this type of organization to you.
I work in features primarily, so while my organizational system is based around reels and suits me just fine, it would need a lot of modification were I to go to episodic or reality TV, commercials, etc.
#No common sync points found thebrain software how to#
The determination of how to organize all of the sequences you’ll create during the course of your project is extremely important, but unfortunately it is also nearly impossible to standardize. It works pretty well, and I’ve found the fewer characters in your reel names, the easier it is on everyone. When I hit a milestone I make a new bin, label it as Director’s Cut or Assembly or Preview #2, throw the appropriate sequences in there, and then stash the bin in an easy to find folder in my project. I need to do a thorough rewrite, but in the meantime know that since 2008 I’ve decided to contradict my writing below and just use R1v# as my reel format. This article is a little outdated (sorry!).